Time passed and Bruno eventually located and collaborated with collectors and galleries that showcased his work around the globe, in the Netherlands, Switzerland, Hong Kong, and even Taiwan. Finally, Bruno’s successes as a sculptor became more apparent, and, as a result, he left his agency job and started his own studio. There, he could laser-focus on his own work, which, for him, is about embodying “a metaphoric Gepetto bringing many Pinocchios to life.” That spirit is ever-present in his work, with his sculptures hinting that their elements could come to life at any moment.

“Bruno considers himself as Gepetto, creating life out of inanimate objects, and always having fun with what he creates. In his work and in his art, Bruno wants to highlight, especially to the youth, that it’s important to reuse things.” (When asked how he stays inspired in what he does and what he wishes to express to those who follow his works).

The Confucian advice to “Choose a job you love and you’ll never have to work a day in your life,” really resonates for Bruno. He dedicates intense time and effort into each and every structure, which both conveys and reinforces his passion for the creative arts. For him, the thrill comes from the hunt for the perfect vintage piece (sourced from his global network of friends and acquaintances) and giving them a second life through his sculptures. Bruno’s artwork is transnational, transgenerational, and intimately personal. Each viewer can identify with an element of each piece, and find opportunity for new life within the bounds of his sculptures – just as Bruno does in the creative process.